Two libraries that never meet.
A clean catalogue the product page demands, and one model shoot a year stretched over four seasons until it visibly ages.
Editorial stills and cinematic campaign film for jewellery and watches. 30 to 80 brand-coherent assets a month, built as one story rather than a pile of product shots, and still readable cropped to a thumbnail.
A clean catalogue the product page demands, and one model shoot a year stretched over four seasons until it visibly ages.
Setting, weight and finish are the reason for the price. None of them survive a flat e-commerce shot.
A fine chain shot small becomes a grey line, and most of your feed is being seen at exactly that size.
Without a wrist, a neck or a hand in frame, every piece is the same ambiguous size on a screen.
Nine pieces, nine slots in the calendar. One grid is a product page. The other is a brand.

Nine posts. Nine white backgrounds, no scale, no reason to want it.
Nine assets. One month. One brand.
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Jewellery is small, reflective and unforgiving. The white background shot has to exist because the product page needs it, but it tells a customer nothing about scale, weight or why the piece costs what it costs. So most brands run two disconnected libraries. A clean catalogue that sells nothing on its own, and one model shoot a year that has to stretch across four seasons until it visibly ages.

Scale, setting and finish, at the magnification the price point deserves.

How a piece actually sits, which is what every buyer is quietly asking.

Film and stills built as one story, so a launch arrives with a mood and a world rather than another packshot.

The monthly volume that keeps a slow catalogue looking alive.



A campaign film gives a collection something a product page cannot: a mood, a place and a reason to feel something before anyone has read a price. This is the piece the rest of the batch is built around.
Malvensky — Adornment as Memory. Concept campaign, fine jewellery.









Most of the work is not the shoot. It is everything that decides what the shoot should be, and everything that catches it when it is wrong.
We pull what is live in your category right now: which paid creative is being kept running because it works, which formats and hooks are carrying it, and what your competitors have quietly stopped doing.
A reference board and a written direction for the month. Palette, light, composition and tone are agreed on the board, before a single frame is produced.
You approve the brief. The clock only starts here, because a brief that is still moving cannot carry a deadline.
The batch gets shot, generated and built to the approved direction, in the formats each platform actually needs.
You mark whatever misses. It gets remade rather than defended, and the note goes into the direction so the same miss does not come back next month.
Every asset is selected from a wider set. What does not meet the bar is rejected, not delivered. You get the files, the per-platform crops and a calendar saying what goes out when.
AUMOVO delivers monthly batches of brand-ready images and short form video. The number of assets is what you can count. The rest is what makes them worth having.
tied to your campaign moments and your calendar.
A paid trial, built on a brief you sign off. Delivered in five business days.
€750
Miss the five day deadline, full refund. Off brief on delivery, unlimited revisions until it matches, or a full refund. Whichever you prefer.
Continue to a retainer and the €750 comes off your month three invoice. One sample per brand.












Month to month, no minimum term, pause any time.
€1,500per month
€2,800per month
€4,500per month
Month to month. Pause any time. Cancel with 30 days notice. No setup fees, no termination fees.
€750, five days, full refund if we miss the deadline or the brief.
No lock in, no minimum term, pause any time, 30 days notice to cancel.
Continue to a retainer and the €750 comes off month three.
Different category? See every vertical we produce for